Pamela

A disciple of Jesus outside religion, and blogging about the Song of Songs.

Most commented posts

  1. House of Peace or House of Cards? — 19 comments
  2. Determined To Be Kissed (Song 1:2) — 18 comments
  3. The Time of Love (Song 1:2) — 18 comments
  4. The Pathway to Love (Song 1:8) — 17 comments
  5. My Goal This Year Is… — 17 comments

Author's posts

He Brought Me Into His Chamber! (Song 1:4)

Bed Chamber with Lattice windows

The humility of the heart cry, “Draw me!” (Song 1:4) is one that is irresistible to God. Pray it often! Pray it with sincerity!

My experience is that you will pray it when you are desperate. You will pray it when you get a genuine glimpse of Christ’s beauty or smell His fragrance. And you …

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The Wooing of the Virgin Daughters

The Bride has friends on each side of her

“…Therefore the virgins love you”, Song 1:3

The Song of Songs is arranged like scenes in a drama, with three main speakers.  It’s hard to know who is speaking at times, but there are clues within the text that can help.  Mostly we hear from King Solomon and the Shulamite Bride, but there is also a “chorus” group that occasionally shows up, called the “Daughters of Jerusalem.” They are the same as the “young virgins.” (or young women in some translations) 

Here is a breakdown of the first 4 verses, where they first appear in the story:

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There She Stands – Faced With The Bittersweetness Of Myrrh (Song 1:3)

Bottle of Anointing Oil with Myrrh

After violently pushing through competing lovers and loves, the Shulamite is finally in a place where she could be close enough to Solomon to be kissed by Him. It’s all she wants. She knows from experience that His expressions of love bring her joy and satisfaction, more than the best wine can ever do.  

But first, she is instantly overwhelmed with Solomon’s fragrance. It is an anointing cologne that the king wears that is unique to him, made up of costly spices. 

She breathes it in deeply, memorizing each of its bold, yet subtle nuances. One of the spices she recognizes is Myrrh. It fills her with emotions. Memories of her father’s death. And memories of King David’s death. 

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Better Than Wine – A Sobering Subject

Man at Cana wedding pouring wine from jug

We quickly sense in the opening cry of the Bride, that this Woman has tasted something in the love of Solomon that has completely changed her life. She is intoxicated by him, and every fiber of her being is filled with a self-giving purpose to exist. If she ever had any addictions or unhealthy habits, they are melted away. The passion of being newly in love has a way of doing that!

There is a principle that says, and I believe it is true: “The cure for addiction is not sobriety. It is connection.”

Meaning, “just saying no” is not the answer to the hole in the human heart, that fills itself with various substitutes for true intimacy. Cut something unhealthy out of your life – and feel no higher meaning for being alive in the first place – and it won’t be long before something else unhealthy comes rushing in to fill the void.

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Thirsty For A Kiss (Song 1:2 continued)

His Kisses Are Sweeter Than Wine

I wonder if the last post about the Woman’s determination to be kissed whet the appetite for more? Because at the deeper level of what’s going to happen, it all “starts with a kiss”… as the saying goes. Like a first sip of wine whose effect goes straight to the brain, a single kiss can light a new, unquenchable appetite for the Bride to not be satisfied with anything except the “full cup.”

So how perfect that the Song begins with kissing! 

Because kissing, from the standpoint of foreplay to sex, is a rich metaphor to explore.

For example…

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Determined To Be Kissed (Song 1:2)

Let him kiss me with the kisses of his mouth… – Song 1:2a

What a bold and provocative way to start off the Song of Songs: “Let him kiss me.” Is the Woman talking to something, or someone, who is resisting her? 

I personally have been inspired in my pursuit of understanding the Song by looking to God for a hidden story behind the words. Like a musical or an opera – we can learn from both the words sung, and the actions acted out. Only we are not peeking in on actors here, but rather shadows of us and Christ. (As much as we can believe it!)

So with that being said, I see the Woman’s desperate cry for being kissed unfolding something like this: 

[Curtain opens]

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A Hidden Author in the Song of Songs (Song 1:1)

The second part of verse 1 mentions Solomon, and depending on the translation, implies that he is the author. At least this is what has been commonly accepted throughout history. Clearly, having King Solomon’s name in the beginning section helped to get the Song of Songs accepted into the the biblical ‘canon,’ despite the book’s more provocative content.

But is there another aspect to authorship here? What about the woman in the Song? What role did SHE play?

Look at these amazing points:

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A Word To The “Who Remnant” – Song 1:1

The Song Returns Us To The Who Of Our Spiritual Beginnings

What is YOUR experience with the Song of Songs?

I believe anyone starting off on a journey of faith knows, deep down, that the “Song” is uniquely special and useful for their spiritual life. But unfortunately most don’t have the tools to properly understand it. When I was a young girl, I remember reading the Song in secret, and how it ignited desires in me for what was spiritually possible in my love-relationship with Christ. But being raised in a strict religious environment, I didn’t have a mature place to talk about the details of sex, let alone a book like the Song of Songs. So it was largely something that I “put on a back burner,” while meanwhile pursuing a more intellectual and dispassionate approach to studying the Bible.

That is, until…

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